News / article on natural wine

'Unicorns of the Jura' Wine event at L'Atitude 51, Cork

'Unicorns of the Jura' Wine event at L'Atitude 51, Cork

Thursday 23rd May, 2024

This evening we had the pleasure of introducing some very rare gems from the Jura to L'Atitude 51 customers. A mix of people from the Trade and regular L'Atitude events followers; it was an ideal audience and the best opportunity to open these wines which are so difficult to get, due to tiny production and very high demand. Sharing them with a maximum of interested people is Beverley and Davide's motto (Owner and Manager of L'Atitude)

The Jura, the tiniest of all French Appellation, producing between 0.2 to 0.5% of the country's production has had a revival of late, thanks to some of the very best Natural wine producers who hailed from this region. Long are gone the rustic, oxydative style of late, now the wines are 'ouillé' (barrels are constantly topped up to avoid the said oxydative style); they boast incredible precision, intensity and all sorts of minerals seem to make their way into these wines. When they hit right, they are unreal.

Average holdings for these growers are between 4.5 to 7 ha, and with the rude climate - late frost, heavy rain during flowering period, mildew, odium and hail storms, it is very rare indeed for them to ever have a full harvest. Combine this with tiny yields, very long elevages to see the fermentation through, and for most, a total dedication to only releasing the wines when perfectly ready; it is easy to imagine how tiny is their production.

On top of this, most of these growers have reached cult status in the World of Natural wines and beyond, their wines being in very high demand.

In this context, we opened and showcased 5 bottles, plus a mise-en-bouche from Les Cavarodes, a tiny production Mousseux 'La Bulette' (Sparkling, made from Chardonnay) to wet the palate.

In pure Jura style, we tasted the reds, then the whites.

Wine 1 came from Les Cavarodes also, a tiny estate located at the border between Jura and Doubs departments. The 4.5-ha farm is owned and run by Etienne Thiebaud, a disciple of late Pascal Clairet of La Tournelle.

Les Cavarodes, Pinot Noir 'Lumachelles' from the cool and austere 2021 vintage, was light, nervous and zesty. Beautiful Pinot character shines through, the finish was clean and long.

Wine 2 from one of the appellation's tenor, Jean-François Ganevat. JF or Fanfan needs very little introduction, he represents the 14th generation of this Jura vigneron family (since 1650!). He learned his trade in Burgundy, at Domaine Morey and returned to take over the family estate with his sister Anne in 1998. Today Ganevat is making some of the most exhilarating and sought-after wines in France, so much so, he was only the second Natural wine grower to be made 'Vigneron of the Year' by Revue des Vins de France. The estate is located in Rotalier, Southern Jura.

Domaine Jean-François Ganevat, Plein Sud 'Trousseau' from the solar and hot 2020 vintage, showed a lot of freshness and low alcohol (12%). The nose was enticing, a basket-full of red fruit, with almond and seeds, the palate was tightly knit and firm initially, it opened up with airing to a beautiful mouthful of ripe red fruit with perfect acidity and minerals.

In came the whites, with Wine 3 - whites are arguably, the real stars of the Jura. Domaine Bruyère-Houillon, from the village of Pupillin is a tiny 5-ha farm, owned and run by Renaud Bruyère and Adeline Houillon, who worked with Pierre Overnoy. They started in 2011, following the same ethics as legendary Pierre Overnoy. The wines quickly were recognised as some of the very best of the appellation.

Bruyère-Houillon Chardonnay 'La Croix Rouge' 2018 probably needed more time to open up (all bottles were opened 3 hours before kick-off and this one was double-decanted). Nevertheless, the wine was crisp, well delineated and impressive. The clean fruit with its backbone of minerals, were dancing on the tongue. From this wine onwards we started counting minutes, rather than seconds, when measuring its length. A beautiful bottle of wine, 6 years-old and with an ageing potential of double this.

Wine 4 was from the father of Natural wine, Pierre Overnoy. An immensely modest and humble 87-year old, semi-retired farmer and vigneron, who passed on his estate, his know-how and his beautiful approach to life, farming and winemaking to Emmanuel Houillon in 2001. Emmanuel came to work as an apprentice, more than a decade earlier, when he was a teenager and never left.

Pierre took over the vines side of the family farm in 1964, and decided then he would farm the traditional way. At the time, this meant without the newly 'discovered' and heavily promoted chemicals - herbicides, insecticides and whatever other cides. In the 80's he met Jacques Neauport (Jules Chauvet's aide), who was assisting vignerons to make great wines without the addition of SO2. Pierre never looked back, and despite extreme difficulty to sell his wines, the breakthrough came in the 90's when Japan and US importers discovered his wines. The sales before that were mostly directed towards the Paris natural wine scene, Alain Chapel's restaurant and some early private customers, found of Pierre's style.

Today, Pierre and Emmanuel could sell their entire harvest 3/4 times over, they apply the longest elevage ever seen anywhere, three weeks ago we received our yearly allocation, 6 half bottles of 1998 Savagnin ouillé were part of it. The wine remained and aged slowly in a large barrel for more than 20 years followed by 2 or 3 more years in these half bottles before release. This is an example which shows how far these two are prepared to go in order to obtain the best wine possible. Mind blowing.

Overnoy-Houillon, Chardonnay 2017 was monumental, a magical mix of subtlety and power, finesse and intensity. It is sometimes hard to describe certain wines with words, via tasting notes when what they trigger is emotion rather than just taste and smell. This was one such wine. Perfectly aired, served at the right temperature and shared with the perfect audience, it sang and danced on our palates for several minutes. 

Wine 5: Where to go from there, I hear you ask - well we had a bit of a dilemna, sometimes the wines of Overnoy-Houillon can show a little shy and austere, and are rarely the wines that shout the loudest. And sometimes they explode in something grandiose, like the above. At the opening of the wine, it is difficult to see which way they will go.

With this in mind, and knowing the true explosive potential of the wines of Master Kenjiro Kagami of Domaine des Miroirs, we decided his Savagnin 2019 had the right pedigree to finished such a wonderful tasting.

Kenjiro always loved natural wines, so much so he decided one day to leave his well-paid job as engineer at Hitachi Corp. in Japan to pursue what seemd like the craziest dream of all, learning how to make wine and set up an estate in far-away France. After completing an oenology course, he worked for Comte de Vögue in Chambolle-Musigny (Burgundy), then three natural wine growers, Thierry Allemand, Bruno Schuller and finally JF Ganevat. Making Jura-style wines was Kenjiro's dream, so he was going to settle in Jura. Jean-François Ganevat helped him to find a vineyard and chai in Grusses, a nearby village to Rotalier, in Southern Jura.

A 5-ha garden as Kenjiro refers to it, where cover crop and surrounding trees and bushes are left to grow wild. His yields are tiny at best of time, and almost inexistant when the elements work against him (as it has been the case for the last few years). From his first vintage in 2011, the wines captured the imagination, they have become some of the most sought-after anywhere in the World.

Domaine des Miroirs, Entre-Deux-Bleus Savagnin 2019: From the deep, almost amber colour of the wine to its purely scented nose of yellow fruit, fruit stones and crushed rocks, we knew we had something very special in our glasses. An exceptional presence on the palate, deeply mineral, 'stone juice' came to mind, intense fruit flavours mingling with clear-cut fruit acidity. The wine breathe freedom, it danced its way through the multiple layers of flavours. Complex, lengthy, balanced, precise, unique.

Thank you to L'Atitude Team for organising this beautiful event and for gathering such a lovely group of people.

 

 

 

 

 

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Antoine Petitprez, Uliz visits Ireland

Antoine Petitprez, Uliz visits Ireland

Tastings with New Wave Burgundy producer - Antoine Petitprez (Uliz)

 

We are thrilled to announce 2 Masterclasses
hosted by Burgundy wizard, Antoine Petitprez.

Antoine is visiting Ireland over Easter with his family,
we nabbed him for 2 unmissable events.

Antoine will talk about Biodynamic viticulture, his consultancy work,
he will show 8 wines. These were stand outs at our recent portfolio tastings.

 

Cork:

(Cancelled due to storm Noa which delayed Antoine's ferry! We are checking to see if this can be re-programmed on Wednesday 19th April -  Watch this space or follow Le Caveau on Instagram for updates)

Wednesday 12th April - 1.30 to 3pm
L’Atitude 51 - 1 Union Quay - Cork City
Trade & Press

- - - - 

Dublin:

Thursday 13th April - 3 to 5pm
Frank’s - Camden Street Lower - Dublin 2
Trade & Press

 

Antoine Petitprez:

The wines of Antoine Petitprez are for connoisseurs. Most of his modest production is sold to multi-Michelin-starred restaurants in France, and yet for more than a decade he has largely gone unnoticed in the rest of the world.

An impressive achievement considering how quickly rumours generally spread about anything related to Burgundy.

But Antoine has never made a big deal out of marketing his wines. He is a hardcore terroir nerd with a scientific background, and he spends all his time in the vineyard.


In his modest cellar in the heart of Pommard, he vinifies his wines with great attention. Whole clusters, gentle extraction, spontaneous fermentation, only old casks, zero fining or filtration and zero added sulphur.

The wines of Antoine Petitprez are light and elegant, yet profoundly concentrated while trembling with energy.

Antoine studied oenology in Beaune and Lyon, during which he was responsible for a research program on the moon's effects on wines and vines. He created an association with the likes of Meo Camuzet, Domaine JJ Confuron, Alain Meunier, Liger Bel Air, Bruno Clavelier and Domaine Dujac to repeat experimentations in the vineyards and in the cellar.

 

He’s part of a new generation in Burgundy, taking the best of tradition, soil and winemaking to tell a story of where the wines were made.


The fruit sourcing for Uliz is quite original and utterly efficient: Antoine develops mutually beneficial partnerships by consulting with organic farmers in exchange for their agreement to sell him grapes. His strategic networking allows him to acquire superior fruit contracts with these growers and provides him with an openness to understand their vineyard practices throughout every aspect of harvest.

All of Antoine’s farmers plow for good biological activity in the soil and practice organic and biodynamic farming methods.

 

“Bespoke” is a word that has been ruined by overuse, but I’ll use it nevertheless to describe the wines of Antoine Petitprez. Most of what little wine he makes ends up in Michelin-starred restaurants in France, leaving the rest of us to fight over the tiny amount that’s exported.
This begs the question: Is it worth the effort?

Well, it sure was for me.

Uliz is a venture focused first and foremost on sustainable viticulture: Antoine Petitprez consults with organic and biodynamic growers in exchange for fruit from those vineyards for his wines. Impeccably crafted and resolutely natural, his are tiny-production, much-buzzed-about Burgundies— and they live up to the hype!”

Ian Cauble, Master Sommelier, SOMM Select

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Vins de Copains 2023

Vins de Copains 2023

It's happening again!

The trio of specialist importers - Brian's wines, Le Caveau and Veraison - is hitting the road in May and will showcase 36 newly arrived, beautiful and exciting natural wines.

Check below where you can catch us:

 

Dublin:

Note Bar. Bistro. Bureau - Fenian Street, Dublin 2

Monday 15th May - Trade & Press: 3 to 7pm 
(Public: 5 to 7pm, pre-book your tickets with the venue)

 

Cork:

L’Atitude 51 - Union Quay, Cork City

Tuesday 16th May - Trade & Press: 3 to 7pm 
(Public: 5 to 7pm, pre-book your tickets with the venue)

 

 

Galway:

The Universal - William Street, Galway

Thursday 18th May - Trade & Press: 3 to 7pm 
(Public: 5 to 7pm, pre-book your tickets with the venue)

 

 

See you all there!

 

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France Defines Natural Wine, but Is That Enough? - Eric Asimov, New York Times

THE POUR

France Defines Natural Wine, but Is That Enough?

The wine industry and many consumers have long sought a definition, but the adoption of a voluntary charter may not clarify anything.

Organic cabernet sauvignon grown near the town of Cowaramup in the Margaret River region of Australia.
Credit...Frances Andrijich for The New York Times
 
  • Natural wine is healthy and pure; natural wine is wretched and horrible. It’s the future of wine; it’s the death of wine.

For 15 years, natural wine has been a contentious time bomb that has divided many in the wine community, creating conflicts fought with the sort of anger that stems only from extreme defensiveness.

Since 2003, when I first encountered what has come to be called natural wine at the seminal restaurant 360 in Red Hook, Brooklyn, I have been a fan, though a cleareyed one, I hope.

I believe in the promise and beauty of natural wines, while acknowledging that many examples are not good, as is true with all genres of wine. The truth is that natural wines have made all of wine better.

Natural wines could not have offered a more luminous contrast to the industrial practices of the wine industry, a business that marketed itself as pastoral. Many mainstream wines are made from chemically farmed grapes, then produced like processed foods, with the help of technological manipulations and artificial ingredients, to achieve a preconceived aroma-and-flavor profile.

Natural wines, made from organic grapes or the equivalent, and fermented and aged without additions, are unpredictable but alive, energetic, vibrant and surprising. It’s like comparing fresh cherries picked off a tree to red Life Savers.

The winemaking spectrum offers many shades and degrees. Not all conventional wines are processed wines. Not all wines called natural adhere to a strict “nothing added, nothing taken away” protocol.

But the appearance around 20 years ago of natural wines as a group challenged an industry dominated by a postwar promise of better living through chemistry and technology.

Back then, the prevailing wine culture was marked by increasing homogeneity. Wine was elevated to a luxury good, and grapes were placed in a caste system and ranked by their “nobility.”

Natural wine, on the other hand, promoted a diversity of styles. It resurrected and celebrated indigenous grapes and local traditions that had been forgotten or dismissed by wine authorities. It sought to knock wine off its pedestal with irreverence, presenting it as a delicious, fun drink that nonetheless packed emotional and cultural power.

Most of all, it reconnected wine to classic farming as it had been practiced for centuries before the rise of industry and technology. Wine as a product of the earth resonated with young people concerned with the environment, with health and with wellness in its full, and now fashionable, sense.

I’ve seen the audience for natural wines evolve from the nerdy inhabitants of a small, secret parallel universe to a curious, eager, ever-growing crowd. In the last few years, natural wine has been anointed the next big thing, the new “it” wine and all the other tiresome labels issued by professional trend spotters.

In this time, natural wines have stepped out of the underground into the sunshine. Natural wine bars are common in almost every big city, while even some high-end restaurants have devoted entire lists to natural wines.

This new popularity has forced the sort of reckoning that natural wine producers have for so long successfully avoided — namely, what exactly is natural wine and who is permitted to use the term?

In the past, it was the wine mainstream demanding a definition for natural wine, an entreaty that most producers blithely ignored. Definitions smacked of authority, orthodoxy and bureaucracy, exactly the binding forces that many natural wine producers have long viewed as inhibiting their freedom.

I always saw this refusal to be pinned down as a strength. Allowing natural wine to be strictly defined would set it up to be co-opted, the way many organic food companies are now largely profit-making subdivisions of Big Ag.

But the notion of natural wine producers as independent bohemian artisans is tough to maintain when the genre’s popular breakthrough radiates dollar signs, not only to corporate bean counters but also to small-business poseurs.

In a recent pandemic-era Zoom discussion of natural wine, Alice Feiring, a longtime proponent of natural wine and the author of the 2019 guide “Natural Wine for the People,” said she had changed her thinking on an official definition of natural wine.

“I haven’t seen the need for legislation, but that was before it became worthy of imitation,” she said.

In an Opinion article she wrote for The New York Times in December, Ms. Feiring warned that big wine companies were creating ersatz cuvées disguised as natural wines in order to capitalize on their growing popularity. But a threat comes from the small business side as well.

Jacques Carroget, of Domaine de la Paonnerie in the Loire Valley, led a group of natural wine producers that after a decade of work won approval last year for an official, though voluntary, certification of natural wine in France. Wines that join the approved trade syndicate and follow its rules governing viticulture and winemaking will be able to label their wines Vin Méthode Nature.

Mr. Carroget, who joined in the Zoom discussion, said the group was motivated by the discovery that some small producers who were purporting to make natural wines had in fact used grapes sprayed with chemical pesticides.

“We analyzed 34 natural wines and found two had residues, including a wine which came from a famous natural winemaker,” he said in an email from the Loire. “We do not want synthetic chemistry in natural wines.”

As long as natural wines were the province of a small number of producers, he said, he saw no reason for an official definition. “Alas, the business, the greed — when we see natural wine emerge from its niche, we find unacceptable abuses,” he said.

The Vin Méthode Nature charter requires its members to use only grapes that have been certified organic and harvested by hand. They must be spontaneously fermented with yeast found naturally in vineyards and wine cellars, and made without what the charter calls “brutal” technologies like reverse osmosis, thermovinification or cross-flow filtration.

Only small amounts of sulfur dioxide, an antioxidant and preservative, may be used, and two different labels will distinguish between wines made with or without even this low level of sulfites.

The use of sulfur dioxide has been a difficult issue in the natural wine world. Some producers and consumers adamantly oppose any additions, while others are more tolerant of minimal use. The effort to accept both points of view is unlikely to satisfy everybody.

Neither will the requirement that grapes be certified organic at a minimum. Many producers work organically, biodynamically or the equivalent, but avoid certification because of the expense and the paperwork. That is unlikely to change.

Some leading figures in natural wine like Isabelle Legeron, the author of the book “Natural Wine” and founder of the Raw Winefairs, which bring consumers and producers together, generally favor the charter, though not without reservations.

“I understand people’s concerns around stifling creativity and freedom by applying rules,” she wrote in an email from England, “but from my personal perspective I don’t think this is something to worry about as a definition won’t kill the spirit of natural wine.”

But she added that practical hurdles, like the difficulty of determining what sort of yeast was used for fermentation, might make it difficult to enforce a definition. In addition, she said, big companies might be able to make wines that conform to the letter of the law even if they do not reflect the spirit of natural wine.

“Will it actually result in a natural wine with the small imperfections that make it unique and the palpable energy from the men and women who made it?” she said. “Of course not. I hope that consumers will not be fooled either and they will continue to understand the difference between ‘establishment natural’ and ‘small, artisan-farming natural.’ ”

That, I think, is a crucial point and perhaps indicates that regulations will not change much of anything. Natural wine is as much defined by the intention of the producer as it is by adherence to a set of rules. Most consumers of natural wines have either educated themselves to know the difference, or put their trust in retailers, sommeliers and wine journalists to point them in the right direction.

Relying on a label to guide curious consumers shopping for wine is a halfway measure, just as produce labeled organic in a supermarket is a far cry from the carefully grown produce sold by farmers at the greenmarket.

I’ve always thought the best way to enlighten consumers is to require bottles to carry labels identifying the ingredients and processes used in producing the wine. Only then can they make educated decisions.

Aaron Ayscough, a blogger who is also the wine director at Tablerestaurant in Paris and is writing a book on natural wine, argues that labeling like “Vin Méthode Nature” asks a lot of small producers and nothing of large industrial producers.

“It’s fundamentally regressive, because it puts the financial and administrative burden of proof on small-scale, artisanal natural winemakers rather than on industrial wine producers,” he wrote in an email. “It would be way more effective to mandate that all wine producers, natural and conventional, list the ingredients and processes used in their winemaking, and let consumers make the verdict about what’s natural enough for them.”

He and I share that ideal, but Ms. Legeron rightly pointed out that wine labeling is little more than a dream right now.

“We are far off this being a reality, not least because some of the biggest players in our industry have no incentive for it to be otherwise,” she said. “So given this, I am definitely not averse to a certification system for natural wine, mainly because it will set basic minimums and help avoid abuse of the category and of the term.”

Ultimately, nothing is wrong with the French label, which is voluntary and available only to producers in France. But for people who have not educated themselves, it may merely provide the illusion of discernment. They may be buying wines that are made naturally according to a set of rules, but that are not in the end natural wines.

Link to the article here
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